Solid: Ashok Selvan, Samyuktha Hegde, Riya Suman
Director: Venkat Prabhu
After I recall Venkat Prabhu, my thoughts goes again to 2007 when he made one superb cult traditional known as Chennai 600028 a few bunch of boys who combat out in cricket matches, in small little gullies and outdated colonies. Issues like that give a really refreshing and practical sort of really feel. Then 2021 noticed his movie known as Maanaadu. It’s a great experiment in time loops, is probably not very stylish, however definitely a really distinctive experiment.
So if you go to see Manmatha Leelai, your thoughts is filled with expectations. Nearly dwelling as much as the expectations, the primary 70 minutes of the movie simply performs out two scenes — two comparable nights, 10 years aside. The place 10 years in the past, you’ve got Ashok Selvan, the first hero and Samyuktha Hedge and immediately you’ve got Ashok Selvan and Riya Suman.
Now, this sort of similarity will be led to solely by very stunning compositional strategies, and the cinematographer Thamizh Azhagan has actually labored very arduous to create the identical sort of cinematographic type from 2010 to 2020. It is extremely superbly completed. I have to say that is exceptional as a result of for the primary time I’m seeing Venkat Prabhu working with regular cameras, mounted blocks, and glued lenses, which was very refreshing.
Then the second half jumps to a very completely different sort of story. Nonetheless misogynistic and slender the male perspective it might be, the viewers was roaring away in laughter. I used to be feeling a bit squirmish, however from a up to date perspective, this might be known as extraordinarily perverse and anti-woman.
The music by Premji could be very stereotypical. It’s so quaint, nearly like a cartoon film that performs as much as each scene on a sort of one after the other foundation and reaches so loud. It merely doesn’t permit you to suppose. However it’s on this second half that there’s a critical jerk that occurs. The movie nearly leaves the entire comedian area and strikes into a really critical area the place murders and killings occur, and you are feeling for a while that this can be a darkish comedy, however it isn’t. It’s transferring into a very completely different zone of the movie, the style shifts and derails.
Additionally Learn: Manmadha Leelai Evaluate: Venkat Prabhu Squanders The Alternative To Have Made A Actually Adventurous Movie
This isn’t what we name in Filmic language “a twist within the story”. A twist within the story occurs if you find yourself following inside the story construction. However that is one other story altogether. So that you come out of the theatre saying, “Is that this the movie I entered?” Actually, I’d not have been shocked if Smruthi Venkat, taking part in his spouse, additionally landed up on the finish of the movie and stated, “Wow, we’re an excellent gang of serial killers”. So that is one other movie altogether when it reaches the tip.
Lastly, this movie is definitely not about any manmadhan, or any sort of a cheerful go fortunate casanova, who simply occurs to fall in love with each lady that he watches. And if anyone goes there to search for a sort of sequel to Okay. Balachander’s Manmadha Leelai, launched in 1976 – Sorry, even that’s not going to occur. So in case you come into this movie, you will notice a really completely different Venkat Prabhu telling a really completely different sort of story.